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the vibration, resonance, al qalqala

Unlocking Al-Qalqala: The Art of Resonance | Free Tajweed Rules Course

Qalqala: Resonance in Arabic Pronunciation

 

In the Arabic language, “qalqala” is a term that evokes a sense of restlessness, instability, and disturbance. Interestingly, this concept is not only linguistic but also acoustic in nature. Qalqala refers to a phenomenon that occurs with certain letters in the Arabic alphabet. When these letters bear either an original sukoon (indicating a natural lack of vowel) or a non-original sukoon (due to a grammatical judgment), they exhibit a distinct characteristic—a strong bounce or resonance.

 

This resonance, known as “qalqala,” serves a fundamental purpose in Arabic pronunciation. It enables listeners to distinguish these specific letters clearly, contributing to what is termed “tahqiq al-huruf,” or giving each letter its due in enunciation.

 

This phonetic rule of qalqala is applied by causing the letter to resonate at its point of articulation, without the addition of a vowel sound. Specifically, this rule is applied to the following five letters:

 

  • د (Dal)
  • ج (Jeem)
  • ب (Ba)
  • ط (Ta)
  • ق (Qaf)

 

A helpful mnemonic to remember these letters is the sentence: “قُطُبُ جَدٍ” (Qutubu Jad).

 

Technically, when these letters bear a sukoon, they should be pronounced with a distinct resonance, ensuring that the sound produced emanates clearly from their point of articulation.

 

There are three categories of qalqala, each denoting the degree of resonance:

 

  1. Small Resonance (Al-Qalqala Sughra): This category represents a subtle bounce or resonance in the pronunciation of the letter.

  2. Average Resonance (Al-Qalqala Kubra): In this category, the resonance becomes more pronounced, creating a distinct vibrational effect in the letter’s pronunciation.

  3. Great Resonance (Al-Qalqala Akbar): The highest degree of resonance, Al-Qalqala Akbar, results in a powerful bounce and a pronounced vibrational sound.

 

Understanding the nuances of qalqala is essential for achieving precise and eloquent Arabic pronunciation. It not only enriches the beauty of recitation but also ensures that the listener can discern each letter with clarity, thereby upholding the integrity of the Arabic language’s phonetic richness.

1. The Subtle Resonance: Al-Qalqala Sughra - الْقَلْقَلَةُ الصُّغْرَى

It manifests when one of the resonating letters remains unvoiced within a word, resulting in minimal vibration.

 

Example:  

 

لَقَدْ خَلَقْنَا الْإِنسَانَ فِي أَحْسَنِ تَقْوِيمٍ 

 

 

We have certainly created man in the best of stature; (95:4)

 

 

 

Alternatively, it can occur at the end of a word when followed immediately by the next word.

 

 

  Example:  

 

لَمْ يَلِدْ وَلَمْ يُولَدْ

 

 

He neither begets nor is born (112:3)

2. The Moderate Resonance: Al-Qalqala Kubra - الْقَلْقَلَةُ الْكُبْرَى

Al-Qalqala Kubra: The Notable Resonance at Word Endings

 

Al-Qalqala Kubra is a distinctive phonetic feature in Arabic pronunciation. It comes into play when resonating letters are found unvoiced at the end of a word, typically during a pause or a stop in speech.

 

In this scenario, the resonance of the letter becomes notably more pronounced compared to the subtle resonance of Al-Qalqala Sughra. The degree of vibration experienced in Al-Qalqala Kubra is medium in intensity.

 

This medium level of resonance adds depth and sonority to the Arabic language, making it an essential aspect of proper pronunciation and recitation. It’s important to recognize that Al-Qalqala Kubra occurs during brief pauses or at word endings, and mastering this linguistic subtlety enhances the beauty and clarity of spoken Arabic.

 

 

Example:

 

 

 

قُلْ هُوَ اللَّـهُ أَحَدٌ 

 

 

Say, “He is Allah, [who is] One, (112:01)

3. The Profound Resonance: Al-Qalqala Akbar - الْقَلْقَلَةُ الْاَكْبَر

Al-Qalqala Akbar: The Intensified Resonance at Word Endings

 

Al-Qalqala Akbar represents the pinnacle of resonance in Arabic phonetics. This phenomenon occurs when a resonating letter is positioned at the end of a word, coinciding with a pause or a stop in speech, and is indicated by the presence of a shadda (diacritic doubling mark).

 

In such instances, the letter is articulated with a powerful and heightened resonance, emphasized further by the shadda. This results in a maximum degree of vibration, creating a profound acoustic impact.

 

Mastering Al-Qalqala Akbar is crucial for achieving eloquent Arabic pronunciation and ensuring that the richness of the language is fully expressed. It is a testament to the precision and depth of the Arabic phonetic system, adding both clarity and a distinctive musical quality to spoken Arabic.

 

 

Example:

 

 

تَبَّتْ يَدَا أَبِي لَهَبٍ وَتَبَّ

 

 

 

May the hands of Abu Lahab be ruined, and ruined, is he. (111:1)

Conclusion

This Tajweed rules lesson has concluded. Insha’Allah, the next lesson will cover the rules of the letter Ra ر.

 

 

At the Al-dirassa Institute, we provide an accessible path to mastering Tajweed under the guidance of skilled instructors. Should you wish to pursue this further, we warmly invite you to reach out to us.

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